Made in Brazil

Martha Tupinambá de Ulhôa is Professor of Musicology at UNIRIO—Universidade Federal do Estado do Rio de Janeiro—and Researcher of the Brazilian National Research Council (CNPq). Cláudia Azevedo is lecturer and developer of a post-doctoral research project on popular music analysis (with a FAPERJ—Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro—scholarship) at the Program of Post-Graduation in Music at UNIRIO—Universidade Federal do Estado do Rio de Janeiro. Felipe Trotta is a faculty member of Media Studies Department at UFF—Universidade Federal Fluminense—and researcher of the Brazilian National Research Council (CNPq).

Introduction: Listening to popular sonorities: a historic overview of the music and popular music studies in Brazil Part I: Samba and Choro Part II: History, Memory, and Representations Part III: Critique, Mediation, and Value Part IV: Music, Market, and New Media Coda From roots to networks: listening a world called Brazil "So when are the dancers coming out?": Representations of Brazilian music in New York City Afterword Electronic and acoustic, modern MPB: A conversation with Lenine