Art Since 1900

Art Since 1900

Modernism · Antimodernism · Postmodernism
Buch | Hardcover
896 Seiten
2016 | Third edition
Thames & Hudson Ltd (Verlag)
978-0-500-23953-7 (ISBN)
79,95 inkl. MwSt
Includes the developments in the study and practice of art. With a clear year-by-year structure, this book presents 130 articles, each focusing on a crucial event - such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition - to tell the myriad stories of art from 1900 to the present.
Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest developments in the study and practice of art.
With a clear year-by-year structure, the authors present 130 articles, each focusing on a crucial event – such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition – to tell the myriad stories of art from 1900 to the present. All the key turning-points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent antimodernist reactions that proposed alternative visions. This expanded edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art.
Acclaimed as the definitive work on the subject, Art Since 1900 is essential reading for anyone seeking to understand the complexities of art in the modern age.

Hal Foster is Townsend Martin, Class of 1917, Professor of Art and Archaeology at Princeton University Rosalind Krauss is Meyer Schapiro Professor of Modern Art and Theory at Columbia University. Yve-Alain Bois is Professor in the School of Historical Studies at the Institute for Advanced Study in Princeton. Benjamin H. D. Buchloh is Franklin D. and Florence Rosenblatt Professor of Modern Art at Harvard University. David Joselit is Carnegie Professor of the History of Art, Yale University.

How to use this book * Preface: A reader's guide Introductions Psychoanalysis in modernism and as a method * The social history of art: models and concepts * Formalism and structuralism * Poststructuralism and deconstruction * Globalization, networks and the aggregate as form 1900 - 1909 * 1910 - 1919 * 1920 - 1929 * 1930 - 1939 * 1940 - 1944 * Roundtable: Art at mid-century * 1945 - 1949 * 1950 - 1959 * 1960 - 1969 * 1970 - 1979 * 1980 - 1989 * 1990 - 1999 * 2000 - 2015 * Roundtable: The predicament of contemporary art Glossary * Further Reading * Selected useful websites * Picture credits * Index

Erscheinungsdatum
Zusatzinfo 305 Illustrations, black and white; 579 Illustrations, color
Verlagsort London
Sprache englisch
Maße 216 x 277 mm
Gewicht 3600 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
ISBN-10 0-500-23953-3 / 0500239533
ISBN-13 978-0-500-23953-7 / 9780500239537
Zustand Neuware
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