Anglistentag 2009 Klagenfurt
Proceedings
Seiten
2010
WVT Wissenschaftlicher Verlag Trier
978-3-86821-259-4 (ISBN)
WVT Wissenschaftlicher Verlag Trier
978-3-86821-259-4 (ISBN)
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Jorg Helbig and Rene Schallegger (Klagenfurt)
Preface
Section I: Spoken English Through the Centuries
Claudia Claridge (Duisburg-Essen) and Ilka Mindt (Potsdam)
Spoken English through the centuries: Introduction
Merja Kyto (Uppsala)
Explorations into 'spoken' interaction of the past: Evidence from early English texts
Dagmar Barth- Weingarten (Mannheim)
On the Role of Phonetics in Signaling Discourse Functions in Spoken English: The Many Shades of and
Ulrike Gut (Augsburg)
Relativization in spoken English: the concept of restrictiveness
Beatrix Busse (Bern)
Adverbial Expressions of Stance in Early Modern 'Spoken' English
Magnus Huber (Giefien)
Trial proceedings as a source of spoken English: A critical evaluation based on negative contraction in the
Proceedings of the Old Bailey, 1674-1913
Klaus P. Schneider (Bonn)
Small talk: Units, sequencing, realizations
Hermine Penz (Graz)
Clarification in intercultural project discussions using English as a lingua franca (ELF)
Andrea Sand (Trier) and Merle Tonnies (Paderborn)
The Features and Meanings of Orality in Black British Performance Poetry
Section II: Beyond Adaptation? Literature, Film, Theatre
Rainer Emig (Hannover) and Pascal Nicklas (Bayreuth)
Adaptation: An Introduction
Imelda Whelehan (Leicester)
All mashed up? Recent Tendencies in Adaptation Criticism
Ina Bergmann (Wurzburg)
Reanimated Classics: Canon Appropriation and Serialization in Contemporary Fiction
Monika Seidl (Wien)
Original Renewal: Retroactive Performativity and the Adaptation of Classics
Lucia Kramer (Hannover)
Adaptation, Experience and Authority: Reflections on the State of Adaptation Studies
Dirk Vanderbeke (Jena)
Filming Ulysses
Stefani Brusberg-Kiermeier (Hildesheim)
Art and Artificiality: Opera Film as Melodramatic Spectacle and Sensual Excess
Katharina Rennhak (Wuppertal)
Docudrama as Adaptation; or Why Adapt Frost/Nixon to Different Media?
Beatrix Hesse (Duisburg-Essen)
Unreliable Narration in Fiction and Film: Asylum, Notes on a Scandal, Atonement
Section III: Historicising the Popular
Christian Huck (Kiel) and Roger Lildeke (Dusseldorf)
Introduction: Historicising the Popular
Christoph Reinfandt (Tubingen)
Historicising the Popular: A Survey
Ingo Berensmeyer and Martin Spies (Giefien)
The Tudors in the Victorian Popular Imagination: Ainsworth's Tower, Brough's Field
Kai Merten (Kiel)
The Scottish Enlightenment and the Invention of Popular Culture in 18th-Century Britain
Bettina Boecker (Munchen)
Reading the Romance: Escapism and the Containment of the Imaginary in Charlotte Lennox's The Female Quixote
Monika Seidl (Wien)
Sublime Scenery and Spectacular Settings. Traditions of Romanticist Visualities in Computer Games
Miihael C. Frank (Konstanz)
I "Is It the Terrorists?" Narratives of Alien Invasion from Late Victorian Fiction to Post-9/11 Film
Lars Eckstein (Potsdam)
The Culture of Lyrics
Section KV: (Post-)Colonial Discourses: British Images of Australia in Literature and Art, Australian Responses
Adi Wimmer (Klagenfurt) and Andreas Gaile (Mainz)
Introductory Remarks: British Australian Literary and Cultural Relations
Norbert Lennartz (Bonn / Wurzburg)
Another Heart of Darkness? Images of Australia in Late Victorian Fiction
Stefan Welz (Leipzig)
Henry Handel Richardson: Constructions of Australian Identity
Barbara Schmidt-Haberkamp (Bonn)
Australia, England, France and Italy: Travels in Cultural History in Martin Boyd's Lucinda Brayford
Anja Mu'ller (Bamberg)
Our Antipodean Neo-Victorians - Australian Neo-Victorian Novels
Gerd Bayer (Erlangen)
Writing the Penitentiary: Voicing Australia's Colonial Crimes
Section V: Literature and Silence
Ina Habermann (Basel) and Annette Kern-Stähler (Duisburg-Essen)
Introduction: Literature and Silence
Michael Symmons Roberts (Manchester)
A Painted Battle
Martina Hacker (Paderborn)
Silence in Late Medieval English Letters: Communication Failures, Delayed Responses and Omissions
Martin Butler (Duisburg-Essen)
I (Dis)Remembering the Puritan Past: Variations of Silence as Strategies and Themes in Representations of the American 'Story of Origin'
Christoph Schubert (Wurzburg)
How to Do Things Without Words: Zero Speech Acts in Dramatic Interaction
Felix C. H. Sprang (Hamburg)
"Thought will not work except in Silence" Carlyle's Sartor Resartus and the Symbol as a Conciliator between Speech and Silence
Christian Schmitt-Kilb (Rostock)
The Forms and Meanings of Silence in Graham Swift's Novels Shuttlecock (1981) and Waterland (1983): Madness, Strategy, Gender, Metafiction
Lena Steveker (Saarbrucken)
"You must recover your speech at once": Silence and Trauma in Pat Barker's Regeneration Trilogy
Jiirgen Meyer (Halle)
Textual Scholarship and Literary/Cultural Studies
Section VI: Varia
HildegardL.C. Tristram and Christina Bismark (Freiburg)
On the Demise of Morphological Complexity in English and in the Insular Celtic Languages - A Research Report
Preface
Section I: Spoken English Through the Centuries
Claudia Claridge (Duisburg-Essen) and Ilka Mindt (Potsdam)
Spoken English through the centuries: Introduction
Merja Kyto (Uppsala)
Explorations into 'spoken' interaction of the past: Evidence from early English texts
Dagmar Barth- Weingarten (Mannheim)
On the Role of Phonetics in Signaling Discourse Functions in Spoken English: The Many Shades of and
Ulrike Gut (Augsburg)
Relativization in spoken English: the concept of restrictiveness
Beatrix Busse (Bern)
Adverbial Expressions of Stance in Early Modern 'Spoken' English
Magnus Huber (Giefien)
Trial proceedings as a source of spoken English: A critical evaluation based on negative contraction in the
Proceedings of the Old Bailey, 1674-1913
Klaus P. Schneider (Bonn)
Small talk: Units, sequencing, realizations
Hermine Penz (Graz)
Clarification in intercultural project discussions using English as a lingua franca (ELF)
Andrea Sand (Trier) and Merle Tonnies (Paderborn)
The Features and Meanings of Orality in Black British Performance Poetry
Section II: Beyond Adaptation? Literature, Film, Theatre
Rainer Emig (Hannover) and Pascal Nicklas (Bayreuth)
Adaptation: An Introduction
Imelda Whelehan (Leicester)
All mashed up? Recent Tendencies in Adaptation Criticism
Ina Bergmann (Wurzburg)
Reanimated Classics: Canon Appropriation and Serialization in Contemporary Fiction
Monika Seidl (Wien)
Original Renewal: Retroactive Performativity and the Adaptation of Classics
Lucia Kramer (Hannover)
Adaptation, Experience and Authority: Reflections on the State of Adaptation Studies
Dirk Vanderbeke (Jena)
Filming Ulysses
Stefani Brusberg-Kiermeier (Hildesheim)
Art and Artificiality: Opera Film as Melodramatic Spectacle and Sensual Excess
Katharina Rennhak (Wuppertal)
Docudrama as Adaptation; or Why Adapt Frost/Nixon to Different Media?
Beatrix Hesse (Duisburg-Essen)
Unreliable Narration in Fiction and Film: Asylum, Notes on a Scandal, Atonement
Section III: Historicising the Popular
Christian Huck (Kiel) and Roger Lildeke (Dusseldorf)
Introduction: Historicising the Popular
Christoph Reinfandt (Tubingen)
Historicising the Popular: A Survey
Ingo Berensmeyer and Martin Spies (Giefien)
The Tudors in the Victorian Popular Imagination: Ainsworth's Tower, Brough's Field
Kai Merten (Kiel)
The Scottish Enlightenment and the Invention of Popular Culture in 18th-Century Britain
Bettina Boecker (Munchen)
Reading the Romance: Escapism and the Containment of the Imaginary in Charlotte Lennox's The Female Quixote
Monika Seidl (Wien)
Sublime Scenery and Spectacular Settings. Traditions of Romanticist Visualities in Computer Games
Miihael C. Frank (Konstanz)
I "Is It the Terrorists?" Narratives of Alien Invasion from Late Victorian Fiction to Post-9/11 Film
Lars Eckstein (Potsdam)
The Culture of Lyrics
Section KV: (Post-)Colonial Discourses: British Images of Australia in Literature and Art, Australian Responses
Adi Wimmer (Klagenfurt) and Andreas Gaile (Mainz)
Introductory Remarks: British Australian Literary and Cultural Relations
Norbert Lennartz (Bonn / Wurzburg)
Another Heart of Darkness? Images of Australia in Late Victorian Fiction
Stefan Welz (Leipzig)
Henry Handel Richardson: Constructions of Australian Identity
Barbara Schmidt-Haberkamp (Bonn)
Australia, England, France and Italy: Travels in Cultural History in Martin Boyd's Lucinda Brayford
Anja Mu'ller (Bamberg)
Our Antipodean Neo-Victorians - Australian Neo-Victorian Novels
Gerd Bayer (Erlangen)
Writing the Penitentiary: Voicing Australia's Colonial Crimes
Section V: Literature and Silence
Ina Habermann (Basel) and Annette Kern-Stähler (Duisburg-Essen)
Introduction: Literature and Silence
Michael Symmons Roberts (Manchester)
A Painted Battle
Martina Hacker (Paderborn)
Silence in Late Medieval English Letters: Communication Failures, Delayed Responses and Omissions
Martin Butler (Duisburg-Essen)
I (Dis)Remembering the Puritan Past: Variations of Silence as Strategies and Themes in Representations of the American 'Story of Origin'
Christoph Schubert (Wurzburg)
How to Do Things Without Words: Zero Speech Acts in Dramatic Interaction
Felix C. H. Sprang (Hamburg)
"Thought will not work except in Silence" Carlyle's Sartor Resartus and the Symbol as a Conciliator between Speech and Silence
Christian Schmitt-Kilb (Rostock)
The Forms and Meanings of Silence in Graham Swift's Novels Shuttlecock (1981) and Waterland (1983): Madness, Strategy, Gender, Metafiction
Lena Steveker (Saarbrucken)
"You must recover your speech at once": Silence and Trauma in Pat Barker's Regeneration Trilogy
Jiirgen Meyer (Halle)
Textual Scholarship and Literary/Cultural Studies
Section VI: Varia
HildegardL.C. Tristram and Christina Bismark (Freiburg)
On the Demise of Morphological Complexity in English and in the Insular Celtic Languages - A Research Report
Erscheint lt. Verlag | 26.11.2010 |
---|---|
Verlagsort | Trier |
Sprache | englisch |
Maße | 155 x 230 mm |
Einbandart | Paperback |
Themenwelt | Schulbuch / Wörterbuch ► Wörterbuch / Fremdsprachen |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Schlagworte | Barker, Pat • Boyd, Martin • Lennox, Charlotte • Post-9/11 Film • The Female Quixote |
ISBN-10 | 3-86821-259-0 / 3868212590 |
ISBN-13 | 978-3-86821-259-4 / 9783868212594 |
Zustand | Neuware |
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