Music Sketches - Friedemann Sallis

Music Sketches

Buch | Hardcover
290 Seiten
2015
Cambridge University Press (Verlag)
978-0-521-86648-4 (ISBN)
93,50 inkl. MwSt
This introduction provides students and scholars with the skills they need to begin on research projects involving the study of composers' working documents. It includes numerous illustrations of original manuscripts and autographs and a selection of detailed case studies, which explore how sketches were created and the techniques involved.
The term 'music sketch' relates to the vast variety of documents that are used by composers to work out a musical technique or idea and to prepare their work for performance or publication. These documents can often provide crucial insights into authorship, biography, editorial practice and musical analysis. This introduction provides students and scholars with the knowledge and skills they need to embark on research projects involving the study of composers' working documents. Presenting examples of the compositional process over a 400-year period, it includes a selection of detailed case studies on how sketches were created and the techniques that were used, such as transcription and the sorting of loose leaves. Numerous illustrations of manuscripts and autographs, many of which have never been published before, show how these vital documents can be used to better understand compositional processes.

Friedemann Sallis is a professor in the Department of Music at the University of Calgary. His publications include A Handbook to Twentieth-Century Musical Sketches (co-edited with Patricia Hall, 2004), Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág and Sándor Veress (co-edited with Robin Elliott and Kenneth DeLong, 2011), and numerous articles on twentieth-century music. He has acquired broad experience within the field of sketch studies, particularly with twentieth-century composers and performers, including György Kurtág, György Ligeti, Luigi Nono and Glenn Gould.

Preface; 1. Introduction; 2. Sketch studies past and present; 3. Tracking down evidence of the creative process; 4. The physical objects of the compositional process; 5. Studying loose leaves; 6. Sketchbooks; 7. Transcription and facsimile reproduction; 8. Sketches and the critical edition of music; 9. Dangerous liaisons: the evolving relationship between sketch studies and analysis; 10. Musical palimpsests; Appendix: Beethoven sketchbooks published between 1913 and 2013; Glossary.

Erscheint lt. Verlag 29.1.2015
Reihe/Serie Cambridge Introductions to Music
Zusatzinfo 17 Printed music items; 6 Tables, black and white; 34 Halftones, unspecified
Verlagsort Cambridge
Sprache englisch
Maße 180 x 253 mm
Gewicht 730 g
Themenwelt Kunst / Musik / Theater Musik
ISBN-10 0-521-86648-0 / 0521866480
ISBN-13 978-0-521-86648-4 / 9780521866484
Zustand Neuware
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