Operatic China

DAPHNE P. LEI is Assistant Professor of Drama, University of California-Irvine, USA, having received her BA from Soochow University, Taipei, Taiwan (English), MA from California State University, Los Angeles (Theatre Arts), Mellon Postdoctoral Fellowship in Humanities from Stanford University (Drama) and her PhD from Tufts. Her interests and expertise include Asian Theatre, Asian American Theatre, Intercultural Theatre, Chinese Theatre and Film, Post-Colonial and Diasporic Theatre, and Gender and Performance. She has taught at the Chinese Culture University (Taiwan), Tufts, and Stanford University, and has directed plays with Asian American casts at Harvard and Stanford, and conducted playwriting workshops for Asian American students at Stanford. She has published articles on the subjects of pre-modern Chinese theatre, gender and ethnicity, Chinese immigrant theatre, and Asian American playwrights.

Introduction: Lotus and Mud Chinese Theatre and the Eternal Frontier in Nineteenth-Century California Local, National and International Performance of Barbarians at the Turn of the Twentieth Century Rebellion, Revolution and Theatricality in Late-Qing China San Francisco Chinatown, Cantonese Opera and the New Millennium The Global Consensus in Chinese Opera on Stage and Screen Epilogue