Rights and Reproductions (eBook)

Anne M. Young heads the rights and reproductions department at the Indianapolis Museum of Art at Newfields and was formerly the photographic archivist for the Kinsey Institute, Indiana University. She is currently a Master of Jurisprudence candidate at Indiana University’s Robert H. McKinney School of Law focusing on Intellectual Property, art, and museum law. Young previously received an Master of Arts in photographic preservation and collections management from Ryerson University and a Bachelor of Arts in art history and studio art (photography) from Indiana University.

PrefaceWalter G. Lehmann and Anne M. YoungAcknowledgements Anne M. Young Chapter One: Intellectual Property Kenneth D. Crews, Walter G. Lehmann, Melissa Levine, and Nancy SimsWhat is Intellectual PropertyCopyrightTrademarkPatentTrade SecretPersonal RightsMoral RightsCopyright InfringementEnforcement MechanismsRemediesTraditional Knowledge and Cultural ExpressionsHuman RemainsInternational Intellectual Property RightsChapter Two: Institutional Intellectual Property Policies John ffrench, Walter G. Lehmann, Melissa Levine, Michelle Gallagher Roberts, Nancy Sims, and Anne M. YoungIntellectual Property PoliciesOwnership and the Development of IP PoliciesUse PoliciesOpen Access PoliciesPhotography PoliciesIP AuditsChapter Three: Rights Issues for the Collection Megan P. Bryant, Cherie C. Chen, John ffrench, Sofía Galarza Liu, Michelle Gallagher Roberts, Deborah Wythe, and Anne M. YoungDetermining Copyright StatusPublication and RegistrationPublic DomainOrphan WorksIdentifying and Finding Rights HoldersNonexclusive Licensing AgreementsCopyright AssignmentCommissioning WorksUnderlying RightsArchitectural PhotographyPrivacy Rights and the CollectionPublicity Rights and the CollectionRecording and Sharing Rights InformationAdditional ConsiderationsChapter Four: Institutional Uses Megan P. Bryant, Cherie C. Chen, John ffrench, Naomi Leibowitz, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. YoungThe Permissions Process: Rights AnalysisThe Permissions Process: Requesting RightsThe Permissions Process: Contractual LimitationsThe Permissions Process: MusicFair UseSourcing MaterialsCollective Image ResourcesStock AgenciesAttributionInstitutional UsesPublicationsEducational MaterialsTraditional Marketing and Promotion UsesSocial MediaRetail and Commercial ProductsInstitutional WebsitesChapter Five: Leveraging Content with Distribution Partners John ffrench, Melissa Levine, Nancy Sims, Deborah Wythe, and Anne M. YoungConsidering Distribution PartnersPotential Distribution Partners (Nonrevenue Generating)Potential Distribution Partners (Revenue Generating)Revenue Generation and Open AccessRevenue Generation with Open and Public Domain ContentChapter Six: External Uses Megan P. Bryant, Cherie C. Chen, John ffrench, Melissa Levine, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. YoungAccess to Images and Reproductions of Collection Materials for External UsesInformation About the Request ProcessDeveloping a Request FormReproduction FeesProduct Development and RoyaltiesProcessing External RequestsOpen Access for External UsesLicensing and Location ShootsAdditional Photography Shoot PoliciesCommunicating About Copyright to the PublicChapter Seven: New Frontiers in Fair Use and Open AccessJohn ffrench, Walter G. Lehmann, Deborah Wythe, and Anne M. YoungPutting Fair Use Into ActionFair Use Codes, Guidelines, and StatementsSimplifying and StandardizingCreative CommonsRightsStatements.orgCopyright CortexWhat Open Access Makes PossibleAppendix A: International Treaties, Federal Legal Materials, and Court Decisions Appendix B: Document and Contract Templates Appendix C: References and Resources GlossaryBibliography Index

If you want to maximize the reach and impact of your cultural works, or need to avoid breaking the law while dealing with works created by others, buy this book and read it. Young provides clear guidance on copyright compliance for creators and curators informed by high-level strategy, ethics, and institutional mission. An essential crash course and desk reference for artists, archivists, librarians, lawyers, board members and directors of cultural organizations and nonprofits.