Owen McCafferty: Plays 2 (eBook)

Absence of Women 'A fine example of theatre at its small-scale best.' Evening Standard Titanic 'Owen McCafferty's rigorous verbatim play provides an antidote to Titanic fatigue... Two months of hearings from 97 witnesses are whittled down to nine... What remains, even after a century, is a disturbing sense of moral ambiguity: 1, 517 dead and no one to blame.' Guardian Quietly 'Vibrates with a violent tension so taut that if you were a bystander... you'd hardly dare to breathe.' New York Times 'Remarkable. inspired. The piece packs sweeping questions about forgiveness and accountability into a tightly plotted encounter.' Daily Telegraph 'The most powerful theatrical production I have had the privilege of seeing... McCafferty's script is perfectly taut... This play is extraordinary and completely unmissable.' Metro Herald Unfaithful 'McCafferty excels with tight plotting and pithy, painful dialogue.' The Times 'McCafferty writes with empathy and a wry humour that makes for an absorbing - if painful - hour.' Financial Times 'Owen McCafferty is a sly observer of the human heart.' Guardian Death of a Comedian 'Despite the humour, McCafferty's play is a tragedy. his most accomplished work to date.' Belfast Telegraph

Over the past twenty-five years Owen McCafferty's plays have been performed worldwide and have won numerous awards. Previous work includes Titanic: Scenes from the British Wreck Commissioner's Inquiry, 1912 (MAC, Belfast); The Absence of Women (Lyric Theatre, Belfast, and Tricycle Theatre, London); Days of Wine and Roses (Donmar Theatre, London); Closing Time (National Theatre, London); Shoot the Crow (Druid, Galway); Mojo Mickybo (Kabosh, Belfast); Scenes from the Big Picture (National Theatre, London), which won the Meyer-Whitworth, John Whiting and Evening Standard Awards; Quietly (Abbey Theatre, Dublin), which won the Writers' Guild Award for Best Play; Death of a Comedian (Abbey Theatre, Dublin, Lyric Theatre, Belfast, and Soho Theatre, London); Fire Below (A War of Words) (Lyric Theatre, Belfast, and Abbey Theatre, Dublin) and Agreement (Lyric Theatre, Belfast, commissioned by MGC). Owen's first screenplay Ordinary Love won Best Picture 2020 at the Irish Film & Television Awards.

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Absence of Women'A fine example of theatre at its small-scale best.' Evening StandardTitanic'Owen McCafferty's rigorous verbatim play provides an antidote to Titanic fatigue... Two months of hearings from 97 witnesses are whittled down to nine... What remains, even after a century, is a disturbing sense of moral ambiguity: 1, 517 dead and no one to blame.' GuardianQuietly'Vibrates with a violent tension so taut that if you were a bystander... you'd hardly dare to breathe.' New York Times'Remarkable. inspired. The piece packs sweeping questions about forgiveness and accountability into a tightly plotted encounter.' Daily Telegraph'The most powerful theatrical production I have had the privilege of seeing... McCafferty's script is perfectly taut... This play is extraordinary and completely unmissable.' Metro HeraldUnfaithful'McCafferty excels with tight plotting and pithy, painful dialogue.' The Times'McCafferty writes with empathy and a wry humour that makes for an absorbing - if painful - hour.' Financial Times'Owen McCafferty is a sly observer of the human heart.' GuardianDeath of a Comedian'Despite the humour, McCafferty's play is a tragedy. his most accomplished work to date.' Belfast Telegraph